Diactorus

D.E.I.

D.E.I.

This page serves as an overview for the titles of eleven-part series focusing primarily on narrative literacy, serving as the exponent of ontological mathematics.

This is for every seeker.

⊕. The Vagabonds born in Mt. Cyllene.

I. The Adherents to the Incorruptible Form.

II. Akin to Phanes in the Cosmic Egg.

III. The Ikelos of Hypnos.

IV. The Zokujin at the base of the Mountain.

V. Akin to Aeneas for whom Aphrodite grieves.

VI. Followers in the footsteps of Thales of Miletus.

VII. Akin to Theseus in the Labyrinth seeking to escape the Minotaur.

VIII. Wielders of the Golden Bough, the Virgula Divina.

IX. Those lost in the Kou of Nun from which every Ba is born.

. The Wanderers in the Wasteland.

A prologue will be written, considered a single article.

The total of 11 series, will each have 11 subjects to be addressed and per subject 3 articles will be written.

At the end an epilogue will be written, considered a single article, as well.

Tallying up all articles a total of exactly 365 articles will be written.

A tributary number.

Hermanubis  This statue represents a draped athletic male figure with his sandaled feet standing on an integral plinth and resting against a tree trunk which serves as a support. He is identified as a new iconographic type, introduced into the pantheon of Roman Alexandria, and generally called Hermanubis, despite the caveat raised by Benaissa.  This god is a syncretistic deity in whom the characteristics of Anubis, the jackal-headed god of embalming, and those of Hermes, the Greek god charged with leading souls to the hereafter, are combined. He is clean-shaven with a full head of thick curly locks on which he wears a modius fronted by a stylized palm frond. His left hand holds a second, more clearly defined, palm frond set into a sword-like hilt emblazoned with a circular device. The attribute in his lowered right hand may very well have been a caduceus, the top of which has attracted the attention of his accompanying dog, clearly intended as an allusion to the jackal with whom Hermanubis was associated. The substitution of a dog for a jackal may have been motivated by the association of Anubis with  the dog in numerous Greek texts.     From Ras el-Soda Temple, now at the Antiquities Museum of Bibliotheca Alexandrina

⊕: D.E.I.


⊕. Diactorus: Vade Mecum

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Description 	  Inv. no. VI 371  According to Hesiods Theogony, which was written in about 700 BC, Hypnos is the god of sleep, the son of Nyx (Night) and brother of Thanatos (Death). Like the latter, he lives where Night and Day meet and where Atlas is holding up the heavens. But while the merciless Thanatos has a heart of iron, Hypnos sweeps across land and sea, bringing peaceful and friendly sleep to men. Hypnos, who according to Ovid (Metamorphoses 11.623) is the “gentlest” of the gods, is depicted as a naked youth, hurrying as though in flight, his torso bent forward and his right foot touching the ground only with its toes. In his outstretched right hand he is holding a horn from which a sleep-inducing liquid flows; his lowered left hand holds poppy capsules. Large wings, like those of the messenger of the gods, Hermes, are growing out of his full head of hair, which is held together by a band across his forehead and tied together in a knot at his neck. The sweeping gesture of his outstretched right arm corresponds to his right leg, which stretches backwards, while his left forearm points in the same direction as the left leg, on which his weight is resting. The statuette is a smaller copy of a Greek original. The best-known copies are those in Madrid (marble) and London (bronze head), but unfortunately the original is not mentioned in the Classical literary sources. It is usually linked to artists of the 4th century BC (Praxiteles, Scopas, Leochares), but given the complexity of the motion depicted, it could also have been created in the later Hellenistic period. The statuette comes from the collection of Joseph Angelo de France, who under Empress Maria Theresa was “director-general of the imperial and royal treasury, galleries and other precious collections”. He died in 1761, and his extensive collection of Classical bronzes was acquired from his heiress in 1808 for the Collection of Greek and Roman Antiquities. © 2006. text: A Brief Guide to the Kunsthistorisches Museum. Edited by Wilfried Seipel. Vol. 4. Masterpieces in the Collection of Greek and Roman Antiquities. Kunsthistorisches Museum. SKIRA, 2006, p. 54, cat. 14. Date 	29 August 2015, 13:25 Source 	Bronze statuette of Hypnos carrying a horn from which a sleep-inducing liquid flows, his lowered left hand holds poppy capsules, 2nd century AD, after a Greek original of the 4th century BC, Vienna Kunsthistorisches Museum, Austria Author 	Carole Raddato from FRANKFURT, Germany

Sin for Salvation: Dare

I. Sin of Commission

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II. Sin of Omission

·

III. Sin of Permission

Description 	  Inv. no. VI 371  According to Hesiods Theogony, which was written in about 700 BC, Hypnos is the god of sleep, the son of Nyx (Night) and brother of Thanatos (Death). Like the latter, he lives where Night and Day meet and where Atlas is holding up the heavens. But while the merciless Thanatos has a heart of iron, Hypnos sweeps across land and sea, bringing peaceful and friendly sleep to men. Hypnos, who according to Ovid (Metamorphoses 11.623) is the “gentlest” of the gods, is depicted as a naked youth, hurrying as though in flight, his torso bent forward and his right foot touching the ground only with its toes. In his outstretched right hand he is holding a horn from which a sleep-inducing liquid flows; his lowered left hand holds poppy capsules. Large wings, like those of the messenger of the gods, Hermes, are growing out of his full head of hair, which is held together by a band across his forehead and tied together in a knot at his neck. The sweeping gesture of his outstretched right arm corresponds to his right leg, which stretches backwards, while his left forearm points in the same direction as the left leg, on which his weight is resting. The statuette is a smaller copy of a Greek original. The best-known copies are those in Madrid (marble) and London (bronze head), but unfortunately the original is not mentioned in the Classical literary sources. It is usually linked to artists of the 4th century BC (Praxiteles, Scopas, Leochares), but given the complexity of the motion depicted, it could also have been created in the later Hellenistic period. The statuette comes from the collection of Joseph Angelo de France, who under Empress Maria Theresa was “director-general of the imperial and royal treasury, galleries and other precious collections”. He died in 1761, and his extensive collection of Classical bronzes was acquired from his heiress in 1808 for the Collection of Greek and Roman Antiquities. © 2006. text: A Brief Guide to the Kunsthistorisches Museum. Edited by Wilfried Seipel. Vol. 4. Masterpieces in the Collection of Greek and Roman Antiquities. Kunsthistorisches Museum. SKIRA, 2006, p. 54, cat. 14. Date 	29 August 2015, 13:25 Source 	Bronze statuette of Hypnos carrying a horn from which a sleep-inducing liquid flows, his lowered left hand holds poppy capsules, 2nd century AD, after a Greek original of the 4th century BC, Vienna Kunsthistorisches Museum, Austria Author 	Carole Raddato from FRANKFURT, Germany

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